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The article focuses on the Indian saris, and how these Indian clothing have been exported to countries around the globe, including the U.S., Great Britain and Dubai. It reveals that sari shops thrive in many Indian stores in America, including the India Sari Palace in New York. Women have a wide variety of saris to choose from, including handloom saris from Andhra Pradesh, Tamil Nadu and Karnataka.

The article Features the different Indian arts and crafts shops in New Delhi. The fine Indian crafts that Hindu kings and queens ordered are available at the State Emporia Complex. The small Ganesha shrine offers fresh flowers, garlands and incense sticks. Moreover, the Tamil Nadu Handweavers Cooperative Society is famous for its Kanjivaram saris.

The article discusses the Indian art of sari draping. In the past, women wore dhotis just as men did. From the fourteenth century onwards, women's clothing started to develop in a different way from those of men. Most saris fit into families, which means they follow certain ways to drape. The article details the draping of the Dravidian and Tamil saris.

The article offers the author's insights on how her mother passed to her the ritual of tying the sari. The author states that sari covers various issues which include gender specification, sexuality, and coming of age. She says that the clothes symbolizes womanhood in Hindu society. She argues that she is proud in wearing sari because she help keep and protect their ancestral tradition.

A letter to the editor is presented in response to the article "Sartorial Statement" by Tanya Rawal of 2016 issue.

A personal narrative that details the author's experience of wearing an Indian sari is presented.

The article offers a tribute to the Indian sari. It discusses how the sari is creativity at its best, with a single stretch of fabric that comes in various textures and patterns. According to historians, the sari can be traced back more than 5,000 years. The article suggests that the sari culturally links the women of India.

The article details anthropologist Chantal Boulanger's unraveling of the mysteries of sari draping. In her book "Saris: An Illustrated Guide to the Indian Art of Draping," Boulanger documents and illustrates more than 100 sari drapes. She divides the sari drapes into families and sub-families, based on certain basic draping techniques.

The article focuses on the Indian sari, It details how weaving apprentices stretch six-yard lengths of newly made saris to the steps along the river Ganga in Vaanasi. The article presents a photograph of seven women from India, Asia and the U.S. showing off their treasured attire outside the Jhole Lal temple.

The article reports on the Indian sari, considered as the pinnacle of weaving skill and designer apparel. Saris range from simple body coverings to masterfully embroidered works of weaving and wearing. The article discusses how the sari commands the respect and admiration of fashion designers. It also discusses the various ways to wear the sari.

The article reports on the book "The Sari: Styles, Patterns, History, Techniques," by Linda Lynton-Singh. It discusses how Lynton-Singh captured the beauty and complexity of the sari in detail through ethnic art, historical facts, motifs and patterns. Lynton-Singh surveys the saris as prized fabric, focusing on their design.

The article details how the modern sari has stepped beyond tradition to become a fashion statement. Designer saris have made their mark beyond India's border. The saris are draped in ways that seem fashionable but are actually like how they were worn long ago in India. The article discusses how the sari regains its stature on special occasions.

The article offers step-by-step instructions for draping an Indian sari.

The article lists terms and phrases relating to sari draping, which includes choli, dhoti and lower border.

The article lists the ten most popular saris, which includes the gadwals, tanchois, and the bum kais.