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It is easy to fall into different modes of reading: books for pleasure, student papers for teaching. This essay considers what it might look like to read student work generously, arguing such generosity shifts a teacher's relationship to student writing. [ABSTRACT FROM AUTHOR]

An English major chronicles a "day in the life" of a college student during the 2020–21 school year—the height of the COVID-19 pandemic. The narrative begins with stress-related dreams, continues with daily activities (walking through seemingly deserted halls and attending Hyflex classes, facilitating remote writing center sessions and leading campus meetings), and ends with the author settling down for the night, settling being an ironic and apt term to describe the author's sense of his academic year. [ABSTRACT FROM AUTHOR]

This article explores some pedagogical challenges and opportunities introduced by higher education's increased reliance on private learning management systems (LMS) during the COVID‐19 pandemic. It theorizes LMS as an expression of neoliberalism and argues that critical literacy, as a method, should be done to (rather than simply through) LMS. Specifically, it examines two case studies of student interactions with the LMS during an asynchronous first‐year writing course. [ABSTRACT FROM AUTHOR]

This article uses narrative inquiry to examine one instructor's experiences teaching two first-year writing classes, each one marked by different pedagogical choices. Themed with the topic of place and foregrounding the recurring example of Appalachia, the classes were nonetheless taught outside the region usually called Appalachia and to college students coming from, and identifying with, places other than Appalachia. This resulting data lends support for easing non-Appalachian-identified students into studying Appalachia as a rhetorical case and for encouraging students to explore various ways that textual representations of Appalachia reveal social and economic patterns noticeable in some form elsewhere. [ABSTRACT FROM AUTHOR]

This article describes the implementation of and assessment findings for a digital archival assignment in the 3000‐level Victorian Literature and Culture course at Florida Gulf Coast University. The assignment utilized ProQuest's database, Queen Victoria's Journals, which comprises the extant journals of Queen Victoria, and demonstrated the value of primary historical research and digital archives in enhancing student content knowledge, information literacy, and critical thinking. [ABSTRACT FROM AUTHOR]

This "reading memoir" narrates the manner in which the writer's recurrent encounters with Mary Shelley's Frankenstein have led to a prospective career in the humanities. [ABSTRACT FROM AUTHOR]

This essay details the evolution of an interdisciplinary course at a university with proximity to Baltimore, Maryland. The original course relied entirely on experiential learning via field trips. During these trips, students conducted analyses of museums as rhetorical and political spaces. As a result of the pandemic, the course evolved into one that relied entirely on students making virtual field trips for cultural organizations and for those at home. In both courses, students focused on issues of social justice as they pertain to museums: issues of access (who is able/encouraged to visit the museum?), issues of diversity (which artists/works of art are featured and who is offered positions of power within the organization?), and issues of engagement (does the museum offer exhibits/programming that is relevant to the public they serve?). In the revised class, students (1) virtually met with museum representatives to discuss their needs; (2) researched the types of resources, events, and objects that can be found in the different locations; (3) learned how to use technology such as Nearpod as multimodal composing platforms; and (4) created a virtual field trip to be used by that organization for educational and promotional purposes. By creating material for specific audiences, students not only learned the rhetorical skills of composing for diverse groups but also grappled with issues of equity, access, and engagement. While the revisions were made out of necessity, this essay details the transferable methodology that can continue to be employed in online classes and integrated into in-person learning. [ABSTRACT FROM AUTHOR]

While students discovered that the elite civic conscience served to render the Indian "migrant workers" invisible, they felt that a discursive correctness of terms called for debate. This article records their overwhelming sense of ethical quandary as others and othering gained traction in classrooms where English at once endorsed and condemned such usages. [ABSTRACT FROM AUTHOR]

This article discusses a resurgent banking concept of education laid bare by the coronavirus pandemic. It uses the theories of Paulo Freire, Mark Fisher, Michel Foucault, and Saidiya Hartman to articulate how learning‐management systems undermine literary study's problem‐posing educational paradigm and how to retain it amid increasing technocratic pressures. [ABSTRACT FROM AUTHOR]

On Wednesday, March 11, 2020, the author received an email that would change the course of his teaching for the following twenty‐four months. The university‐wide communication indicated that, due to the emerging COVID‐19 crisis, all classes, activities, and university business was suspended, with the email further instructing faculty to wait at home for more details. As the author mulled over the educational shifts ahead of him, his training as a technical communicator—and more specifically his knowledge of user‐experience (UX) and design thinking—kicked in, offering him a set of tools he could pull from as he sought to create courses that reflected the quickly shifting needs of his students. In this article, the author discusses how the use of design thinking expands the limited conversations about course co‐creation, a practice that leads to more effective and equitable course designs. The author additionally uses his experience employing design thinking in the creation of his Shakespeare seminar course as a case study, demonstrating the value that the collaborative nature of design thinking has for pedagogy. [ABSTRACT FROM AUTHOR]

This essay argues for shifting the focus of a literary theory and criticism course to the institutional, social, and historical forces that shape English studies. Rather than promoting disciplinary introspection, the authors understand their approach as raising questions regarding elitism and the long historical entanglement of knowledge making with the interlocking forces of racism, colonialism, and sexism. [ABSTRACT FROM AUTHOR]

The article recounts the author's experiences designing an undergraduate business writing course that bridges the long-standing divide between the traditional liberal arts and professionally-oriented forms of education. This course, organized around the television series The Wire, helps students grapple with the interpretive complexities that shape contemporary institutional life. [ABSTRACT FROM AUTHOR]

This article introduces a grounded theory of assessment in literary studies. Analysis of instructor interviews elucidates the cultural and dispositional influences that shape some instructors' conscious decision not to teach or assess affective learning outcomes like empathy. The author urges literature instructors to engage critical inquiry of disciplinary assessment practices. [ABSTRACT FROM AUTHOR]

Instructors of writing-intensive disciplines infrequently integrate cinematic media in composition curricula. Furthermore, when instructors use films in composition courses, they often treat films merely as supplemental texts tangentially relevant to course topics and prioritize teaching content rather than media or filmmaking. This pedagogical approach overlooks an opportunity to ask students to consider how the audiovisual rhetorical efforts can meaningfully harmonize or create dissonance with the content. In this research study, the author argues that students are active media consumers engaging frequently with media as a form of composition. He navigates the limitations of Gregory Ulmer and Lev Manovitch, whose early work stressing the primacy of media literacies in composition classrooms is nonetheless seminal to the author's larger claims of film's educational import. The author relates the results of the IRB-approved research of his composition students, who offer feedback about the use of film in the class. The author calls for greater attention to film instruction and curricula development for collegiate composition classrooms, urging educators to move beyond film's supplemental use and toward more educationally fruitful practices, including teaching active watching and basic film analysis. Film is a critical form of cultural communication and media, and the author contends that it is a pivotal part of the landscape of twenty-first century literacy engagements. [ABSTRACT FROM AUTHOR]

Writing assessment and social justice rely largely on success-trajectory narratives, which sideline productive failure as a means of resisting normative futurity-based modes of education and policy. This essay offers an alternative perspective on failure in writing assessment and social justice by illustrating how relying on rhetoric as a hope and means for positive change can undermine aims of social justice and a critical education. By examining the queer (non)possibilities for assessment and acceptance without dependence on constant improvement and success, instructors may find more inclusive ways of thinking about the value of rhetoric's role in a generative acceptance of difference. [ABSTRACT FROM AUTHOR]

Any attempt to control the content and conversations of first-year composition classrooms has become increasingly complicated by social media and technology. Building on the types of textual difficulty explored by scholars like Mariolina Rizzi Salvatori and Patricia Donahue, Jeffrey Berman, and Alan Purves, this article considers the challenges presented to contemporary college-level readers by affectively difficult texts such as David Lynch's 1986 film Blue Velvet. The article also explores the potential responses students express to difficult texts and encourages flexibility in the assumptions made about these reactions. By working through the importance of these questions, the author ultimately examines the potential benefits and best strategies of using difficult fictional texts in the writing classroom to help students investigate the nuances of verbal and written conversations such as those created by the #MeToo movement. [ABSTRACT FROM AUTHOR]

The activity of close reading lies at the heart of literary studies, a "signature pedagogy" that distinguishes English from other disciplines. Despite its centrality to the discipline, however, close reading has been curiously resistant to analysis. This lesson study aimed to determine where students encounter challenges in close reading. Contrary to dominant narratives in the discipline, the university students in this study were adept at formal analysis. They were challenged, on the other hand, by invitations to make intertextual and personal connections to the text. Analyzing features of successful close reading, the essay proposes that intertextual thinking and personal connection are important components. The essay recommends assessing student skills in the initial stages of teaching close reading and, when warranted, integrating instruction in intertextual thinking and making personal connections alongside formal analysis. It also suggests group discussion may help leverage these neglected components of close reading. [ABSTRACT FROM AUTHOR]

This essay maps the logistics and advantages of reading and teaching texts in their original installments as a means of theorizing seriality in the undergraduate literature classroom. [ABSTRACT FROM AUTHOR]

Is it possible to teach creative writing? Although creative talent may be innate, all individuals have the capacity to create, and creativity can be nurtured through specific approaches. The works of David Kolb in relation to experiential learning pedagogy are explored and adapted to creative writing courses, and examples of potential exercises are given. [ABSTRACT FROM AUTHOR]

This article discusses how we have used undergraduate research (UR) to foster habits of mind associated with information literacy (IL). Our strategy is course based and involves students as potential contributors to the Graphic Narrative Database (GND), a digital work in progress. Presenting students with focused parameters for their research and with the prospect of an authentic audience for their writing, the assignment provides students with many opportunities to explore our complex information landscape as practitioners. Students deploy a wide array of strategies to gather and share information about a body of texts that are themselves richly multimodal. [ABSTRACT FROM AUTHOR]

This article describes an autoethnography project used in an undergraduate creative writing course and discusses its pedagogical benefits. Drawing on results from a survey and interviews with former students and a supporting librarian, the article considers how the assignment might be adapted for diverse institutional contexts. [ABSTRACT FROM AUTHOR]

This article reports on an undergraduate course centered on autobiographies written by people who manage mental illnesses. Students learned about neurodiversity from multiple perspectives, examined social and medical models of mental illness, developed interpretive skills, and advanced their ability to write compellingly about both literature and their own experiences. [ABSTRACT FROM AUTHOR]

Focusing on a course taught to Palestinian and Jewish Israelis, this essay suggests that the study of life writing can help students develop a better informed civic identity, particularly in relation to divisive national matters. By carefully constructing collective classroom practices of reading, writing, discussing, and listening, the instructor can forge an environment that strengthens students' capacity to appreciate the textual and contemporary interaction between individuals and their historical contexts, and to hear alternative perspectives and experiences attentively, without argument. University classrooms can thus play a vital role in democratic culture, as spaces in which a broader range of voices can be heard and in which minority voices are specially protected and projected. [ABSTRACT FROM AUTHOR]