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Copyright of Contaduría y Administración is the property of Facultad de Contaduria y Administracion-Universidad Nacional Autonoma de Mexico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Within the framework of the cognitive approach to the perception of reality distinguishing between grounds and figures, the main aim of this article is to study the foreground of fantastic stories, corresponding to elements of everyday life, unlike the figure, which usually is the preternatural motive. Thus, in this work the vision of everyday life proposed by the philosopher Bruce Bégout and the concept "ways of doing" created by the thinker Michel de Certeau will also be applied, as well as settled contemporary theories of the fantastic. As an illustration of all this, three Spanish short stories presenting ideological significance and written in different periods will be analyzed: La muerte de Capeto by V. Blasco Ibáñez, La resucitada by E. Pardo Bazán, and Reliquias by A. Martínez Castillo. [ABSTRACT FROM AUTHOR]

Objective/context: The objective pursued by this research is to analyse the possible existence of a social and political fracture around the figure of former President Rafael Correa and his political legacy, the Citizen Revolution, which would act as a kind of polarizing division of Ecuadorian society: correismo/anti-correismo axis. A division that, born of politics, would have been established within society, allowing the existence of two opposing sides that feel, perceive and act in politics in a very different way. Methodology: To this end, a study has been drawn up with a quantitative methodological approach based on an analysis of the data contained in the Study of Politics and Emotions in Ecuador, March 2021 (SPEE), carried out by the EIP-USC after the first round of the 2021 presidential elections. Conclusions: The results of this first approach (descriptive and multivariate) allow us to affirm the existence of important differences between supporters and detractors of correismo, especially as regards political and emotional issues, but not so regarding sociodemographic issues. Originality: The influence that the emotional factor expressed towards the different political leaders would have in the construction of this fracture is especially relevant; providing a novel vision to the literature on the influence of Rafael Correa and his project in the Ecuadorian political system. [ABSTRACT FROM AUTHOR]

Copyright of Universum is the property of Instituto de Estudios Humanisticos Juan Ignacio Molina, Universidad de Talca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Index.Comunicación is the property of Index.comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Boletín Criminológico is the property of Instituto Andaluz Interuniversitario de Criminologia (Seccion Malaga) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

A recurring element in Ricardo Piglia's poetics is the inherent relationship between literary criticism and fiction, with regards to the various discursive registers in his work, which brings together discursive genres such as the prologue, the diary, the interview, television classes or the arguments about literature made by characters in his novels. This article analyzes this relationship by examining the thirteen prologues Piglia wrote for Serie del Recienvenido between 2012 and 2015, through an approach that focuses on its use of the combinative process. This allows us to return and revise discussions about literary tradition and renewal. [ABSTRACT FROM AUTHOR]

Copyright of Letras (0326-3363) is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del CILHA is the property of Universidad Nacional de Cuyo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Itinerarios (1507-7241) is the property of University of Warsaw and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Interamericana de Investigación, Educación y Pedagogía - RIIEP is the property of Universidad Santo Tomas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article presents the novel "Un círculo" by Noé Jitrik, published in 2022, which takes place during the COVID-19 pandemic and follows three main characters who live together in a house. The plot unfolds when two officials appear with a court summons, revealing a historical past related to a clandestine detention center. The novel also addresses literary debates and includes references to various authors and works. The article highlights the representation of reality and literature in the novel, as well as the reflection on the literature's ability to narrate the present time and adapt to new realities. [Extracted from the article]

This paper focuses on Alan Pauls' literary beginnings, specifically on his first two novels: El pudor del pornógrafo (1984) and El coloquio (1990). Through the analysis of the European and extemporaneous system of correspondences (Kafka, Klossowski, Goethe, Bataille) that intervenes in the creative process of these texts, our argumentation aims to evidence, firstly, the immediate context with which this narrative decides, from its beginnings, to antagonize: those writings related to the idea of a literary work linked to politicization, memorialism, pedagogical function, folklorism. And, secondly, closely linked to the above: the set of choices (thematic, theoretical, filiatory, formal and evaluative) that Pauls takes to make a place for himself in his national tradition. An Argentine condition of writer, that is, universal, whose formal translation, such is our hypothesis, is the composition of an "aphantasmed" language: a language carved from within by other languages, capable of exiling the writer from his own time in order to invent his own contemporaneity. [ABSTRACT FROM AUTHOR]

This article examines the novel Bioy (2012) by Diego Trelles Paz (Lima, 1977), considering its links with the traditional detective story and the American hardboiled novel. It explores the effects of violence in bodies and subjectivities of masculine and female characters employing the three dimensions of violence proposed by Johan Galtung. In addition, the article identifies a break with some of the hardboiled novel´s elements, particularly those related with the system of characters, as well as the use of multiple voices and narrative perspectives, all this considering the ability of a genre whose history has been typified by a principle of obsolescence (a concept proposed by Jacques Dubois) suitable for a narrative that portrays a society in crisis and exposed to violence. [ABSTRACT FROM AUTHOR]

The purpose of this article is to analyze the function of testimony in the short stories and journalistic articles of Argentine writer Haroldo Conti (1925-1976), who described his literature as "an obsessive fight against time". This fight appears in his writings as the rescuing of everything at risk of being forgotten. Thus, the testimony of experience assumes a key function to understand articles published in Revista Crisis. The creation of a textual materiality from the perspective of memory provides a complex space for the interaction of discursive strategies within fiction, journalism and political analysis. [ABSTRACT FROM AUTHOR]

Copyright of Perífrasis. Revista de Literatura, Teoría y Crítica is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Dystopian fiction is a discursive genre made up of cultural products (literary texts, movies, series) aimed at producing a particular type of effects of sense in the model reader: ideally, in consuming them, readers will be capable of conducting a critical evaluation of their socio-political circumstances. Thus, dystopian fiction - which is a fictional discourse - aims at being the source of socio-political change through the intervention in the discursive sphere of the non-fictional. This article approaches the genre of dystopian fiction in literature from a semiotic perspective. Specifically, it focuses on studying the type of imagination and construction of possible worlds that define it. The thesis it presents is that dystopian fiction is characterised by a construction of futures that are plausible, that is, that have an anchorage in reality as it is and are therefore viable, unlike what happens in science fiction. [ABSTRACT FROM AUTHOR]

Copyright of Bitacora: Revista de Arquitectura is the property of Universidad Nacional Autonoma de Mexico, Facultad de Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Estudios del Siglo XVIII is the property of Instituto Feijoo de Estudios del Siglo XVIII (Universidad de Oviedo) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Razón Crítica is the property of La Fundacion Universidad de Bogota Jorge Tadeo Lozano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Librosdelacorte.es is the property of Instituto Universitario "La Corte en Europa" - IULCE and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Perífrasis. Revista de Literatura, Teoría y Crítica is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Innovar: Revista de Ciencias Administrativas y Sociales is the property of Universidad Nacional de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Araucaria is the property of Araucaria-Revista Iberoamericana de Filosofia, Politica y Humanidades and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Apuntes Universitarios: Revista de Investigación is the property of Universidad Peruana Union Filiar Tarapoto and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article presents the book "ANSEIS DE CARTAGO" by Javier Pérez-Embid, which is a study and edition in Spanish of the 11th-century epic poem. The book analyzes the work and its cultural context, as well as the relationship between history and fiction in medieval literature. It also highlights the identification of the real references of the place names in the work. The translation into Spanish respects some of the rhymes of the original verse text and Hispanizes the proper names. The book may be of interest to lovers of medieval literature and may stimulate other similar initiatives. [Extracted from the article]

This paper highlights the importance of studying not only the sources of Spanish early modern novels but also the printed editions in which they were transmitted, particularly in instances of rewritings bordering on plagiarism. One of these cases is found in El Patrañuelo (1567) by Juan de Timoneda. Although it has been proved that the twentieth patraña was copied from Apuleius’ El asno de oro, originally translated by Diego López de Cortegana (ca. 1513), the question of which printed edition the narrator and playwright used had been ignored until now. This paper examines those which the author might have drawn on as a source. After analysing common errors and textual variants I conclude that the most likely candidate is the translation’s first expurgated printing: the text Iuan Steelsio published in Amberes in 1551. [ABSTRACT FROM AUTHOR]

Copyright of Siglo Diecenueve: Literatura Hispánica is the property of Universitas Castellae and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Siglo Diecenueve: Literatura Hispánica is the property of Universitas Castellae and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Mirai. Estudios Japoneses is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Contexto Revista Anual de Estudios Literarios is the property of Facultad de Medicina, Universidad de los Andes, Venezuela and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Perífrasis. Revista de Literatura, Teoría y Crítica is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Lengua y Literatura Catalana, Gallega y Vasca is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuaderno de Pedagogia Universitaria is the property of Pontificia Universidad Catolica Madre y Maestra and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper aims an approach to some of the most solid assumptions of Literary Theory considering the critique of Michel Foucault and, in lesser extent, that of Roland Barthes and Jacques Derrida. Some of those assumptions include literary criticism in its traditional way, the role of the authorship in literature and the literature itself as an institutional device set up to claim upon the value of the literary discourses. In order to develop Foucault's arguments we undertake a reading of some "minor writings" corresponding to "the first Foucault" in the sixties' decade-keynotes, interviews, journal articles and so on-although we are mostly based on two or three unpublished documents on literature topics from the Michel Foucault Archives located at the Institut Mémoires de l'Édition Contemporaine, in Caen, France. [ABSTRACT FROM AUTHOR]

Copyright of Confluenze. Rivista di Studi Iberoamericani is the property of Universita di Bologna, Dipartimento di Lingue, Letterature e Culture Moderne and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Margaret Atwood's works are worldwide-known pieces in science fiction literature. So much so that her name is recalled as part of the canon in this genre. In her work, dystopias are abundant, as they show universes which constitute metaphors of ours. In particular this essay briefly analyzes the novel The Handmaid's Tale from a philosophical perspective on literature, making reference to the foucaultian concepts of surveillance and control as devices of exercise of power and domination over women. [ABSTRACT FROM AUTHOR]

Copyright of Nueva Revista del Pacífico is the property of Universidad de Playa Ancha de Ciencias de la Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de Literatura Hispanoamericana is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Poligramas is the property of Universidad del Valle and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Within the framework of theories of news trustworthiness and selective exposure to media, this research analyzes whether the trust that consumers of digital news in Spain claim to profess towards a news brand is an explanatory factor that directly mediates their consumption of said brand. In addition, and based on a novel association in literature, this work studies whether the individual attributes of political leaning and degree of digital consumption are predictive variables that have a direct effect on the consumption of news brands. Also, it tests the mediation of trust in this process. This research applies the methodology of simple mediation analysis or analysis of direct or indirect effects to data from the online "Digital news report.es 2019" survey (N = 2005). The 15 news brands studied are TVE, Antena 3, La sexta, Telecinco, Cuatro, Cadena SER, COPE, El país, El mundo, ABC, La vanguardia, El periódico, 20 minutos, Eldiario.es, and El confidencial. As a main result, two models of selective consumption of news brands in Spain are identified: a first model that only considers the mediating effect of one or both attributes (type I), and a second that combines both direct and indirect effects (type II). This categorization highlights how users' political leaning moderates or enhances the consumption of some news brands by mediating trust. With the exception of COPE, users who are politically positioned to the right have less trust in brands, thereby moderating their consumption. On the other hand, users who are politically on the left are more loyal consumers of the media they trust most (Eldiario.es, La sexta, and Cadena SER). [ABSTRACT FROM AUTHOR]

Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper consists of the translation analysis of the lexicogenic elements (or neologisms) used to build the fictional world described in a literary work included in the science fiction genre. The chosen book is 2001: A Space Odyssey by Arthur C. Clarke, one of the masterpieces of science fiction literature, written by one of the most influential authors in this literary sphere. Clarke is responsible for works such as Childhood's End or The Nine Billion Names of God, which created new standards for this kind of narratives, but 2001: A Space Odyssey has been chosen due to its conceptual depth and its writing virtuosity. This translation study has been carried out by comparing the original version of the novel (written in the English language and published by Hachette UK in 2010) and the sole target text available in Spanish, translated by Antonio Ribera and published by Debolsillo in 2014. The different examples included in this article will be shown in their original as well as their translated forms (inserted in their contexts of origin) and they will be analyzed using a contrastive method, after which conclusions about the functionality of the new terms that transfer the concepts described in the novel will be presented. [ABSTRACT FROM AUTHOR]

The article discusses the relationship between innovation and science fiction narratives. The idea is to show that, although the history of humanity has to do with the invention of technologies, its dynamics, from the economy point of view, is the incessant innovation. This word takes on a new meaning, in today's society, in the Information and Knowledge Society, where innovation is an engine of development and, at the same time, a space of different imaginations. It is in this context that we discuss how literature, particularly science fiction, has such importance in showing technologies, their inventions and innovations, within arguments that enable better meanings. Thus, science fiction literature is a space that produces social imaginaries that, linked to the developments of science and technology, leads to project or anticipate futures. [ABSTRACT FROM AUTHOR]

Copyright of Paradigma is the property of Universidad Pedagogica Experimental Libertador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Grafía is the property of Universidad Autonoma de Colombia, Facultad de Ciencias Humanas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)