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The following article aims to analyze some epistemic keys in the way in which indigenous Diaguita intellectuals approach the writing of history. These writings put into play, on the one hand, the ethnic identity of the indigenous intellectual and the question about the subject and the place of enunciation from which his epistemic-political positioning is constructed. On the other hand, they propose a project of criticism and decolonization of history, to the extent that their writings propose a direct and open confrontation with the hegemonic (colonial) versions of history. From these two dimensions, we are interested in reflecting on the possibility that these writings configure a native episteme for the rewriting and rereading of indigenous history. [ABSTRACT FROM AUTHOR]

Copyright of Impossibilia: Revista Internacional de Estudios Literarios is the property of Impossibilia: Revista Internacional de Estudios Literarios and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

From its beginnings, the tango song configured certain characters and modulated different voices. In this context, during the 20s in the 20th century, flourished a set of compositions known as “tangos of reproach”, inheritors of the challenge tone of the gaucho literature. This work outlines this transfer and then deals with the subject who assumes the enunciation and the rhetoric deployed by the tangos of reproach, considering their conditions of circulation. The hypothesis is that tango did not reflect preexisting social identities, but instead played an active role in its production and presented them in a problematic way, in a cultural framework crossed by social, identity and political contradictions. We maintain that songs are intermedial and complex discursive objects, whose study cannot be reduced to textual analysis, since it must contemplate its performance and its circumstances of circulation. [ABSTRACT FROM AUTHOR]

It is believed that the way in which media speak about emerging technologies can influence the public perception of their benefits and risks. Risk statements highlight the possible negative effects, real or imaginary, that a particular event could have on audiences. Just as journalism varies over space and time, what is considered a risk is deeply rooted in specific social, economic, and technological contexts. This variability implies that journalistic practices are neither universal nor static; instead, they change and adapt according to circumstance. Moreover, technological advances have allowed the press to better understand their audiences and adhere to their demands. In this context, the discursive construction of the risk of artificial intelligence was studied in the press of four European countries: Belgium, Spain, France, and Portugal. In total, 290 texts published in January 2024 were examined. Mentions of "artificial intelligence" were found in the following newspapers: Le Soir, El País, Le Figaro, and Público. Fourteen risk categories and seven groups of voices responsible for their enunciation were identified, with significant variations between the studied newspapers. It was concluded that national contexts make it possible to differentiate the way in which the press communicates the risks associated with artificial intelligence. Although these results do not directly reflect public awareness of the risks in each of these countries, they open a line of research on the possible influences of the progressive monitoring and knowledge of audiences in the construction of the media agenda. [ABSTRACT FROM AUTHOR]

Copyright of Perífrasis. Revista de Literatura, Teoría y Crítica is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Virality plays on the emotion that drives people to quickly retransmit a message, without really analysing it or subjecting it to criticism. The more emotional the message is, the more appropriate it seems to go viral, which is one of the premises of viral marketing. This explains the virality of violent content on the Internet. From this pint of view can the fight against hate speech use virality when its aim is to call for reflection? We show that virality can serve as a catalyst for reflection, and that emotion can also be positive (Danblon, 2013). From this point of view, we take a look at the Council of Europe's Youth Campaign against Hate Speech, which uses social media to bring together and share in a community also made up of real-life interactions. We then analyse more particularly some visuals, memes, a community semiotic form which allows to start from emotions to reflect on the stereotypes which underlie hate speech.

This article analyzes viral environmentalist videos on YouTube. To do so, it observes the rise of the term “viral video” in the media and examines virality from a lexical point of view. Then, virality is connected with temporality in reference to an epidemiology of cultural representations on one hand, and with the discourse of knowledge transmission, on the other hand. The material characteristics of the corpus are then described, which shows one aspect of the virality of these videos, and the content of popularization and environmentalist discourse and the scenography of these videos are finally explained, which presents another aspect of virality.

Parentheticals are utterances which appear inserted in others introducing an additional or clarifying information. This paper analyses the prosodic behaviour of parentheticals to study in more detail their discursive functioning. As features of these kind of utterances it is possible to notice a decrease in intensity and tone, and an acceleration in the speech rate. In respect to enunciation and modality, the exam of the parameters that determine the perception of these utterances by the interlocutors allows establishing a correlation between the two discursive planes that are compared and the phonetic procedures that characterise their acoustic emission, linked to the parameters that present more accentuated differences: tone and speech rate. The variations recorded reflect an adaptation between the prosodic form of parentheticals and the strategic functions that these constructions carry out in the discourse as argumentative resources. [ABSTRACT FROM AUTHOR]

The article highlights the dangers of conducting research without being aware of the place of enunciation. It reviews the deformation of the American reality by European science in the 17th and 18th centuries. Subsequently, it illustrates with examples the attempts to overcome this problem in the American eighteenth century, a period that gave rise to a marked interest in investigating the American reality, an endeavor that reached its climax with the emergence of the so-called Social Sciences in the mid-twentieth century. Finally, we reflect on some of the implications of situated and localized thinking. René Zavaleta's concept of variegation is used for this purpose. It is found that thinking and researching situationally, by attending to specific contexts, avoids losing sight of the heterogeneity and complexity of situated realities. It is something that can also contribute to create emancipatory possibilities. [ABSTRACT FROM AUTHOR]

We will see how in Plato’s Phaedrus there are initially two types of desires, one of which would be the epithymía desire and the other would be the hímeros desire, the latter being a noble desire, portrayed exclusively in Socrates’ palinody. We will study the semantic field associated with each of these desires within the three initial recitations of the dialogue, discerning the nature of each of them, their potential, direction and unfolding. The dialogue highlights the controlled enunciation of these desires in the Platonic conceptual plot, when Phaedrus draws Socrates’ attention to this remarkable aspect of the use of words (tois onómasin, Phdr. 234c7) in Lysias’ recitation, just as Socrates at the end of the Palinody reaffirms the poetic vocabulary (tois onómasin, Phdr. 257a5) to which he has been submitted. In this way, a physiological reading emerges, discerning the statics, movements and directions of the desires and friendships described, as well as their qualities and quantities. [ABSTRACT FROM AUTHOR]

Copyright of Kipus: Revista Andina de Letras y Estudios Culturales is the property of Universidad Andina Simon Bolivar, Sede Ecuador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Escena: Revista de las Artes is the property of ESCENA. Revista de las Artes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of CIRCULO de Linguistica Aplicada a la Comunicacion is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CIRCULO de Linguistica Aplicada a la Comunicacion is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filosofía UIS is the property of Universidad Industrial de Santander and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ABEI Journal: The Brazilian Journal of Irish Studies is the property of Associacao Brasileira de Estudos Irlandeses and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Anthropocene is a time of crisis with environmental, climatic, economic, social, political and epistemological dimensions, involving not only humanity, but planet Earth as a whole. Although the imminence of the non-existence of a world in becoming brings us anguish and longing, it is also an opportunity to think about other possible futures and the paths that can be (or are already being) taken to achieve them. We start from the hypothesis that the imagination of new aesthetic-ethical-political projects in the Anthropocene is inseparable from dialog with the voices of the land, its politics of ancestry and epistemes experienced daily in the heat of life. In this sense, the article aims to analyze reflections by indigenous and quilombola thinkers that enable us to escape the anthropocentric blindness of the modern world and understand other ways of dealing with time, other knowledges and enunciations, thus guaranteeing new perspectives for our survival in the Anthropocene. [ABSTRACT FROM AUTHOR]

The phenomenon of disinformation is characterized by being a way of telling the facts in a distorted way that modifies the perception of what is «real». In this sense, it deserves the attention of being analyzed by semiotics, since its look makes it possible to approach the problem of truth from a strategic point of view. For this discipline, the concept «truth» is not understood as a correspondence between what is said and the facts, but as an effect of meaning that is created in the discourse. In this regard, it is proposed that one way to deal with fake news is to revalue the figure of the journalist, as long as his job is to produce information that, in addition to being truthful, is credible. Likewise, the need to train the journalist to be able to master different enunciation and persuasion strategies present in any discursive configuration is emphasized. [ABSTRACT FROM AUTHOR]

Copyright of Orbis Tertius is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Orbis Tertius is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

How can contemporary female artists sing the downside of romantic love, especially jealousy, without risking to be perceived as chained to patriarchy, or appearing naive, complacent and bitter ? How can a feminist singer present herself as the enunciator of a lyrical discourse that gives pride of place to self-pity and suffering ? This study weaves together enunciative and thematic criteria in the field of French popular music to determine the aesthetic and political constraints that affect female and feminist singers today.

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Copyright of Arte, Individuo y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Filozofija i Drustvo is the property of University of Belgrade, Institute for Philosophy & Social Theory and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Imagofagia is the property of Imagofagia - AsAECA and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Recherches en Langue et Littérature Françaises is the property of University of Tabriz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

An initial typological ambition is to position different digital narratives as media narratives, and to question the skills of their reader-scribers. Our approach is part of a plural epistemological and methodological framework, which, with a political and aesthetic aim, puts narratology and discourse analysis in tension, with a view to analysing the critical reflexivity of the reader-writers of media narratives. Our visit to the theories of reception shifts the focus from the consideration of active or passive individualities to the de-subjectivised question of enunciation, taking up the practices of reading-writing, which are played out at the interface of the political and the aesthetic. This confrontation opens up a space where the dominant discourse on art, which supports an aesthetic ideology, gives way to an aesthetics of emancipation.

This paper problematizes how the discourse on depression upheld by the first, second and third editions of the Diagnostic and Statistical Manual of Mental Disorders appropriated the distress-pathology contradiction. Based on the principles of Michel Pêcheux's French Discourse Analysis, developed, in Brazil by Eni Orlandi, the study emphasizes that: 1) the manual's first and second editions understood depression as an effect, whereas the third depicted it as a cause; 2) in the first and second editions distress and pathology were one and the same, but the third edition splits them into two different spheres; 3) anticipation, as a discursive mechanism, can help to comprehend the process by which the subject of enunciation is suppressed by the subject of the statement in the diagnostic manuals. [ABSTRACT FROM AUTHOR]

This article examines the argumentative dimension of ten headlines on media regulation, published between August 2021 and December 2022, and how they were constructed in order to induce the reader’s interpretation. The analysis considers, at first, the perspective of argumentative semantics, with its evaluation indices and attitudinal indicators (Koch, 1995), and the discursive perspective, aiming to capture the framing strategies, argumentative orientation that induce reasoning and enunciative erasure, proposed by Emediato (2013). Next, based on the concept of enunciation and the notion of the will to truth (Foucault, 1972, 2014, respectively), and Charaudeau’s (2022) reflections on manipulation of the truth, the analysis focuses on the ways in which media discourse directs guidelines for society. The conclusion is that discussing media regulation projects is an urgent need for Brazilian society, since the headlines are biased and most of them promote a campaign of opposition to regulation projects, associating them with censorship. [ABSTRACT FROM AUTHOR]

The article titled "The causes of saying. Contributions of the dialogical approach to argumentation and polyphony to discourse analysis" analyzes the interest in polyphony in the field of discourse analysis. The book, coordinated by María Marta García Negroni, focuses on the causes that motivate the appearance of the statement in different discursive fields. The dialogical approach to argumentation and polyphony (EDAP) is used to delve into the study of the phenomenon, using categories such as points of view, discourse frame, and subjective positioning. The book is organized into eleven chapters that address different fields and types of statements. The text analyzes the causes that generate polemical discourses and evidential, allusive, and nominative points of view. The discussion between the Argentine government and the Clarín group over the Media Law is addressed, as well as the controversy over the denomination of the Malvinas/Falklands Islands. The use of preventive points of view in instructions and the analysis of utterances that reproduce the voice "se" are also investigated. The book offers a theoretical contribution to the study of discourse and is aimed at students and researchers interested in argumentation, semantics, enunciation, and polyphony. [Extracted from the article]

In this article I propose a reading of the novel Changó, El Gran Putas by the Afro-Colombian writer Manuel Zapata Olivella, in the light of the notion of fissure exposed by Nelly Richard and used in literary criticism by Silvia Molloy. It is problematized how this novel would be cracking the historical account of the device of Western history on the stories related to the African diaspora that took place in the sixteenth century. Initially, the notion of fissure is conceptualized, and then the notion of "device of Western history" is raised through the approaches expressed by Walter Mignolo. Finally, the myth of the curse of Changó is raised as the edge that generates the fissure within said device. [ABSTRACT FROM AUTHOR]

In this article I analize the characterization of the diary genre as an album, based on Mallarmé's difference between Book and Album, Roland Barthes' approach to the theme and the specific case represented by the trilogy The Diaries of Emilio Renzi, by Ricardo Piglia. For this reason, I study quests as: the death and the return of the author's figure; self-writings; the pluralization of enunciators; the daily form and its fragmentary dimension; the relationship between the present record and the evocation of the past. Attests to the possibility of identifying the Piglia/Renzi diaries as an album, emphasizing their plural composition and the strategies employed in their montage. [ABSTRACT FROM AUTHOR]

Based on research conducted by Croker (2019) and Herr (2020), in this article we present a proposed analysis of a discourse approach to the emergence and use of the term "cloud computing" and its derivative "saving in the cloud". The study is supported by three concepts covered by the epistemological field of French Discourse Analysis: 1) the will to truth (Foucault, 1999); 2) the interdiscourse (Maingueneau, 2008); and 3) the sociodiscursive imaginaries (Charaudeau, 2017). We proceeded to the discourse analysis of an advertising piece, a Brazilian TV news report about the emergence of cloud computing, and a cartoon focused on the same theme. The results show that the metaphor of the cloud as a place of lightness and superiority, referring to the idea of heaven and paradise, camouflages the reality of cloud computing as a private repository allocated in robust computer infrastructures that increasingly cause dependence and obtain information from users for use in various profitable actions for large technology companies in their virtual environments. [ABSTRACT FROM AUTHOR]

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Copyright of Pragmalingüística is the property of Facultad de Filosofia y Letras, Universidad de Cadiz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pragmalingüística is the property of Facultad de Filosofia y Letras, Universidad de Cadiz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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This reflection will focus on a corpus of testimonies collected in Metz a few months after the terrorist attacks on November 13, 2015 in France. We will discuss how the media narratives of these attacks build an internalized representation of a national event among speakers who live 350 km away from the site of these attacks. It emerges a balance between cohesive momentum and local withdrawal, in particular through the involvement and the emotion of citizens. We will show that the distance Lorraine/Paris and its suburbs appears in a polarizing or unifying apprehension. Through the prism of the media consulted, an articulation occurs between projective collective identities and frozen identities of the past. [ABSTRACT FROM AUTHOR]

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This article deals with the famous note in the essay Of National Characters, in which Hume says that he suspects that negroes are inferior to whites. Instead of asking how much the racism expressed in the note penetrates the work, as is often done, another question arises: what does Hume have to say about the content of the note, taking into account its context of enunciation? How does he situate his own racism in the essay Of National Characters? From an analysis of the essay and the note, the aim is to show that Hume's philosophy offers the precise elements and concepts for understanding the content of the note as an European prejudice. [ABSTRACT FROM AUTHOR]

Copyright of Universum is the property of Instituto de Estudios Humanisticos Juan Ignacio Molina, Universidad de Talca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)