1. Bioskopi u Crnoj Gori između dva svjetska rata.
- Author
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Stamatović, Aleksandar
- Abstract
This paper provides an analysis of the bioscope repertoire, organization and infrastructure between the two world wars in Montenegro in the Kingdom of Serbs, Croats, and Slovenes/Yugoslavia. Montenegro entered the Yugoslav state in 1918 with a relatively modest bioscope network and repertoire. This can be explained by the fact that Montenegro was a small country in terms of its territory and at the same time it lagged behind other European countries in economy and culture, although it had live connections with the then developed European countries such as Austria- Hungary and Italy, as well as Serbia. In the interwar period, the bioscope network, technical equipment, screening quantity and quality developed slowly but continuously in the 1920s. During the 1930s, with the transition to tone-film and its mass production and distribution, the bioscope network spread even further. This is due to the fact that bioscopes ceased to represent a short-term fashion trend (just to try it out and see) but started to evolve into a habit and human need. Local people prone to business soon started to realize that the bioscope was starting to become a lucrative business with quick and continuous profit inflows. On the other hand, in order to increase the profit, they started making investments into the interiors, cinema projectors (especially when tone-films became widespread) and the diversity and attractiveness of film genre, in order to attract a larger audience. [ABSTRACT FROM AUTHOR]
- Published
- 2024