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The article discusses an upcoming exhibition at the Booth Western Art Museum in Cartersville, Georgia, titled "Parallel Paths: The Art of Allan Houser & Harry Jackson." The exhibition will explore the similarities and differences in the artistic journeys of Allan Houser, a Chiricahua Apache artist, and Harry Jackson. Both artists transitioned from painting to sculpture, but took different paths in their artistic styles. The exhibition will feature sculptures and flat works from both artists, highlighting their unique stories and contributions to the art world. [Extracted from the article]

The article discusses a new exhibition at the Couse-Sharp Historic Site in Taos, New Mexico, featuring the work of artist Bert Geer Phillips and his relationship with the Hispano community. The exhibition aims to expand knowledge of Phillips' paintings of Hispano subjects and provide insight into the complexity of the region's history. It also addresses preconceptions and stereotypes about the Hispano and Indigenous people of Taos, highlighting the importance of understanding and recognizing their significance in the larger social dynamic of the area. [Extracted from the article]

The article discusses the life and work of Elizabeth Catlett, a revolutionary Black artist known for her prints, sculptures, and activism. Catlett faced discrimination in her education and later moved to Mexico, where she became a Mexican citizen. Her art focused on themes of African American experience, Mexican culture, and political activism. The exhibition "Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies" showcases over 150 of her works at the Brooklyn Museum, highlighting her legacy of social change and empowerment. [Extracted from the article]

The article discusses the upcoming exhibition "New Young Guns" at Medicine Man Gallery in Tucson, Arizona, featuring three painters and a sculptor who respond to the qualities of light in the Southwest and Pacific Northwest. The artists, including Josh Gibson and Jordan K. Walker, draw inspiration from desert landscapes and natural elements to create evocative paintings and sculptures. The exhibition opens on November 15, showcasing the artists' unique perspectives on light and nature. [Extracted from the article]

Museums across the United States are currently hosting a variety of exhibitions showcasing Native American art and history. These exhibitions explore topics such as the Pueblo Revolt of 1680, Native resistance, Indigenous knowledge, and contemporary Indigenous arts. The artworks on display include lithographs, murals, sculptures, basket weavings, and paintings, among others. These exhibitions aim to challenge stereotypes, celebrate Native culture, and promote understanding and appreciation of Native American art and history. [Extracted from the article]

Swedish artist Stina Folkebrant and David Naranjo, a Native American artist from Santa Clara Pueblo, collaborated on a new mural at the Museum of Contemporary Native Art in Santa Fe, New Mexico. The mural, titled "Okhúwa Munu: A Dialogue Between Cultures and Nature," depicts a time before the arrival of settlers and incorporates symbols for clouds, rain, and eagle feathers. The artists worked intuitively, with Folkebrant's organic painting style complementing Naranjo's linear designs. The mural is immersive and showcases the creative energy of the artists and the natural world they depict. [Extracted from the article]

This article provides information about various museums in the United States that focus on Western art and culture. The museums mentioned include the Autry Museum of the American West, the Harwood Museum, the Booth Western Art Museum, the Briscoe Western Art Museum, the Couse-Sharp Historic Site, the Cowboy Arts & Gear Museum, and the National Museum of Wildlife Art. These museums offer diverse exhibitions that explore the intersection of art and science, highlight the work of specific artists, and delve into the stories of Native American artists, women, and other often overlooked groups. The article also mentions other museums such as the Phippen Museum, the Frederic Remington Art Museum, the Museum of Western Art, the Sears Art Museum, the Steamboat Art Museum, and Western Spirit: Scottsdale's Museum of the West, which all contribute to the celebration and preservation of Western art and history. [Extracted from the article]

Amery Bohling, an Arizona painter, draws inspiration from the Grand Canyon National Park for her artwork. Over the years, she has evolved her painting style from impressionistic landscapes to using more saturated colors and intense contrasts. Bohling's emotional and spiritual connection to the canyon, akin to that of Indigenous tribes, drives her to share her visual and spiritual experiences through her paintings, which capture the canyon's geological and atmospheric vastness. [Extracted from the article]

The Smithsonian American Art Museum's exhibition, "The Shape of Power: Stories of Race and American Sculpture," delves into how American sculpture has influenced perceptions of race from the 19th century to the present. The exhibition challenges the traditional view of American sculpture as heroic white-marble figures and showcases 82 sculptures created between 1792 and 2023 in various media. Through sculptures like Hiram Powers' "The Greek Slave" and John Rogers' "The Wounded Scout," the exhibition explores how race has been visually represented and constructed in American art. The exhibition aims to foster open and deep conversations about the historical and contemporary role of sculpture in shaping ideas of race in the United States. [Extracted from the article]

The de Young Museum in San Francisco is currently showcasing the Osher Collection of American Art, which includes works by 39 prominent American artists. The collection spans the years from 1848 to 1960 and reflects a dynamic period in American history when artists drew inspiration from both the European art world and regional American ideals. The collection features works by renowned artists such as Georgia O'Keeffe, Winslow Homer, Thomas Moran, and John Singer Sargent. The Oshers' generous donation has greatly enriched the museum's representation of American art and is considered one of the most transformative contributions in its history. [Extracted from the article]

This article discusses Marshall and Lee Ann Hunt's home in Tesuque, New Mexico, which serves as a gathering place for art and artists during the Santa Fe Indian Market season. The property holds spiritual significance as a former camping site for local tribes, and many artists' works are displayed throughout the grounds and in the Hunt's home. The couple has recently completed a major renovation of their home, including upgrades to the grounds and the addition of white Venetian plaster to enhance the art. The article also highlights specific artworks and artists featured in the collection. [Extracted from the article]

Sean Michael Chavez, a Western painter based in New Mexico, focuses on the forgotten history of the vaqueros, the original cowboys of the West. Chavez, who is of Hispanic heritage, has conducted extensive research on the subject and draws inspiration from the writings of Arnold R. Rojas, who documented the stories of the last vaqueros. Chavez's paintings combine traditional and contemporary elements, and he often incorporates mathematical ratios and grids into his compositions. His work has gained recognition, and he has exhibited at the National Cowboy & Western Heritage Museum. Chavez's latest exhibition, "Double Down," will be showcased at Acosta Strong Fine Art in Santa Fe. [Extracted from the article]

The Art Institute of Chicago is currently hosting an exhibition titled "Georgia O'Keeffe: My New Yorks," which showcases a lesser-known aspect of the artist's work. Between 1925 and 1930, O'Keeffe painted scenes of New York City, drawing inspiration from her apartment in the Shelton Hotel and her walks around the city. The exhibition highlights O'Keeffe's unique perspective on the city, portraying it as a blend of the organic and the inorganic. Despite initial resistance from her husband, O'Keeffe persisted in painting New York and eventually gained recognition for her work. The exhibition also explores O'Keeffe's use of photography and her adherence to the teachings of Arthur Wesley Dow, which emphasized personal expression and the balance of forms. The exhibition runs until September 22, 2024. [Extracted from the article]

This article from American Fine Art features a New York City couple who share their private collection of WPA-era works and beyond. The couple's apartment, located above Central Park, is filled with artwork that reflects their interest in American art history. The collection includes paintings by artists such as E. Oscar Thalinger and Isaac Soyer, as well as pottery and other artifacts from the WPA period. The couple is drawn to the subject matter of the artwork rather than the artist's name, and their collection is integrated with the architecture and furnishings of their apartment. They also have various tchotchkes from their travels displayed throughout the space. The couple enjoys discussing their collection with guests, who are often curious to learn more about the artwork. [Extracted from the article]

This article discusses the history of bronze foundries in Prescott, Arizona, specifically focusing on the role of George Phippen and the artists he inspired. It highlights the challenges faced by early pioneers in bronze casting and the development of the lost-wax process. The article also mentions the significance of bronze sculptures in commemorating historical figures like Teddy Roosevelt and explores the legacy of Phippen's artistic vision, which has influenced numerous renowned sculptors. The article concludes by mentioning the current thriving bronze foundries in Prescott, such as Bronzesmith Fine Art Gallery and Foundry and the Bronze Age, which continue to produce sculptures by various artists. [Extracted from the article]

This article provides an overview of common pottery shapes found in Native American art. It discusses various types of pottery, such as olla, dough bowls, canteens, wedding vases, plates, melon jars, and seed pots. The article highlights the cultural significance of these pottery shapes, including their use in ceremonies and their connection to the natural environment. It also mentions contemporary artists who continue to create traditional pottery shapes while incorporating innovations from other cultures. The article includes photographs of different pottery examples for reference. [Extracted from the article]

Gomeo Bobelu, a Zuni silversmith and member of the LGBTQ+ community, lived a multifaceted life as an artist, activist, model, and more. He was an advocate for Missing and Murdered Indigenous Persons (MMIP) and tragically died after being brutally beaten. Bobelu served as a model for painter Roseta Santiago, who created numerous paintings featuring him as the central figure. Filmmaker Jaima Chevalier also worked with Bobelu, producing a film about the Pueblo Revolt of 1680 in which he appeared. Bobelu's story was captured in the documentary film "Gomeo Bobelu," which premiered in 2023 and shed light on the crisis facing Indigenous people, particularly the issue of missing and murdered individuals. The film has received recognition and will be screened at the Museum of World Cultures in Genoa, Italy. Bobelu's jewelry, based on Zuni legends, will be included in an installation at the museum, and the proceeds from the film will be directed towards organizations focused on Missing and Murdered Indigenous Women and Relatives (MMIWR). [Extracted from the article]

This article details the rich artistic traditions and cultural diversity found in Santa Fe, New Mexico. The region is home to various indigenous peoples, Spanish and Mexican settlers, and migrants from the East, which have influenced the art scene in Santa Fe. The article highlights numerous galleries, museums, and art events in the state, as well as the natural beauty that inspires artistic expression. It also mentions specific galleries and artists, such as Acosta Strong Fine Art, Barbara Meikle Fine Art, Blue Rain Gallery, Dominique Boisjoli Fine Art, Carrie Wild, Jason Williams, King Galleries, Legacy Gallery, Manitou Galleries, Meyer Gallery, Nedra Matteucci Galleries, Parsons Gallery of the West, Santa Fe Art Auction, Santa Fe Indian Market, and FourElements BeadWorks. The document also mentions art-related attractions and events in Santa Fe, such as the downtown area, Railyard Arts District, Baca Street Arts District, and the Couse-Sharp Historic Site in Taos. It also highlights the work of artist Jan Marie DeLipsey and the late sculptor Glenna Goodacre. [Extracted from the article]

The Nicolai Fechin house in Taos, which was restored in the 1970s after being untouched for 30 years, is a remarkable wonder. Nicolai Fechin, a renowned portrait painter, was born in Russia and moved to Taos in 1927. He acquired an adobe house and expanded it, creating a unique blend of Russian and New Mexican architecture. The house remained untouched until Fechin's daughter returned in 1977 and oversaw its restoration. Today, the house serves as an exhibition space, and plans are underway for an expansion. Fechin's carving techniques and intricate designs are showcased throughout the house, along with his oil paintings and sketches. [Extracted from the article]

The article discusses an upcoming exhibition at the Crystal Bridges Museum in Arkansas called "Space Makers: Indigenous Expression and a New American Art." The exhibition explores the mid-century American art movement known as the Indian Space Painters and their relationship with Indigenous visual and material culture. It aims to reconfigure the history of American art and reveal its foundations in Indigenous space. The exhibition features loans from the Charles and Valerie Diker collection and is guest curated by Christopher T. Green. It also highlights the work of contemporary Native artists who continue to explore their heritage. [Extracted from the article]

The article discusses a traveling exhibition called "Monuments and Myths: The America of Sculptors Augustus Saint-Gaudens and Daniel Chester French," which explores America's identity during the Gilded Age through the sculpture of these two artists. The exhibition features approximately 80 sculptures, models, and maquettes, and examines the symbols and references in their famous public sculptures. It also addresses the societal complexities of the time, including social injustices and discrimination. The exhibition will be shown at various museums across the United States. [Extracted from the article]

Ron and Lisa Brill, a couple from Colorado, have a passion for collecting art that reflects their love for the West. They have a diverse collection that includes Western art, fiber, turned wood, photography, and studio glass. They often visit galleries to acquire new pieces and to support the artists. The Brills have also commissioned works from members of the Cowboy Artists of America and plan to bequeath their Western art collection to the Booth Western Art Museum in Georgia. Their children have also started their own collections. The Brills view their art as an integral part of their lives and their home. [Extracted from the article]

Hollis Chitto, a Mississippi Choctaw and Laguna/Isleta Pueblos artist, showcases his skill as a beadwork artist in his display at the Heard Museum Guild Indian Fair & Market. His contemporary beaded bandolier bag, titled "Napakanli um okla imma (Flowers for my family)," is a tribute to his family and the culture they passed down to him. Chitto's work incorporates his own ideas into the traditional medium, and he draws inspiration from other artists, such as Alexander Calder. As a Two-Spirit individual, Chitto sees the act of creating art as a spiritual act and aims to bring beauty into the world. [Extracted from the article]

The Acequia Madre House in Santa Fe, New Mexico, now home to the Women's International Study Center, was the residence of three remarkable women: Eva Scott Muse Fényes, Leonora Scott Muse Curtin, and Leonora Frances Curtin Paloheimo. The house contains collections and archives that document nearly 150 years of Santa Fe history, including records of their work in cultural conservation and their friendships with artists and writers. Eva Fényes began a portfolio of artists' self-portraits in 1870, which features drawings and clippings about the subjects. The portfolio includes works by notable artists such as James D. Smillie, Fred Kabotie, Olive Rush, Sheldon Parsons, Gerald Cassidy, Victor Higgins, Kenneth Chapman, and Paul Horgan. The article also mentions other wise women in northern New Mexico during the early 20th century, such as Mabel Dodge Lujan, Amelia and Martha White, and the School for Advanced Research. [Extracted from the article]

William Haskell, an artist based in Santa Fe, brings his unique vision of the Southwest to Medicine Man Gallery in Arizona. Growing up in Wisconsin, Haskell developed a love for the Southwest, inspired by the work of Georgia O'Keeffe. Initially interested in wildlife painting, Haskell apprenticed with Terrill Knaack, a Wisconsin painter known for his realistic depictions of nature. Haskell eventually pursued a career in graphic design but continued to paint part-time. His paintings of the Southwest, influenced by his love for cacti and O'Keeffe's work, evolved over time and now express the energy and vitality of the landscape. Haskell's latest exhibition, "Winds of Western Change," opens on January 12 at Medicine Man Gallery in Tucson, Arizona. [Extracted from the article]

This article from Native American Art Magazine explores the creation and significance of Cherokee masks in Cherokee history. The Cherokee people occupied a large area of land until they were forced to leave due to the Indian Removal Act of 1830. Will West Long, a Cherokee man, grew up in the Qualla Boundary and dedicated his life to preserving and sharing his culture, including the art of mask-making. The article discusses different types of masks used in Cherokee ceremonies and dances, such as the Medicine Mask and the Booger Mask. The exhibition "Behind the Mask: Cherokee Mask Makers and their Legacy" aims to highlight the importance of Cherokee masks and their history. The article also mentions the impact of the exhibition on Cherokee students and the community. [Extracted from the article]

This article from Western Art Collector focuses on winter scenes in art. It features the work of several artists who capture the beauty and serenity of winter landscapes. The artists discuss their inspiration and techniques for depicting snow and light. The article also includes information about upcoming art shows and galleries where these works can be viewed and purchased. Overall, the article highlights the diverse perspectives and styles of artists who find inspiration in the winter season. [Extracted from the article]

The article discusses the enduring popularity of cowboy imagery in Western art. It highlights various artists who depict cowboys and their lifestyle, including their interactions with horses and cattle. The artists come from diverse backgrounds and use different styles and techniques to capture the spirit of the American West. The article also mentions the influence of Native American culture on Western art and the importance of collectors in supporting artists. [Extracted from the article]

This article from Western Art Collector features Atlanta collectors Henry Bauer and Mary Carole Cooney, who have merged their interests in Western, contemporary, and Native American art. Henry started out collecting folk art but eventually shifted his focus to Western and Native art. The collection includes a diverse range of paintings and sculptures that hold personal meaning for Henry. The article also highlights specific pieces in their collection, such as works by Tony Abeyta, John Mortensen, and Charly Palmer. Henry has relied on the input of friends and dealers throughout his collecting career, and he values the pleasure that art brings him. [Extracted from the article]

COLLECTOR'S FOCUS SMALL WORKS & MINIATURES The German romantic landscape painter Caspar David Friedrich (1774-1840) wrote, "When a scene is shrouded in mist, it seems greater, nobler and heightens the viewers' imaginative powers, increasing expectation - like a veiled girl. Barbara Meikle Fine Art, Patchwork Pedernal, oil on canvas, 10 x 30", by Barbara Meikle. Barbara Meikle Fine Art, My Treat Hound Ruthie, oil on canvas, 12 x 16", by Barbara Meikle. Barbara Meikle Fine Art, Morning Penstemons, oil on panel, 20 x 16", by Barbara Meikle. [Extracted from the article]

MUSEUMS 2023/2024 Last year, the Field Museum in Chicago replaced its Native North America Hall with a permanent exhibition four years in the making, Native Truths: Our Voices, Our Stories. The museum explains, "The exhibition was created with the guidance of an advisory council of 11 Native American scholars and museum professionals, and in partnership with 130 collaborators representing over 105 tribes. The powerful exhibition on the Indian boarding school experience at the Heard Museum in Phoenix has been updated with recent scholarship as Away From Home: American Indian Boarding School Stories. [Extracted from the article]

SPECIAL SECTIONS The heterogeneity of the American West has always been a given, but for many years popular culture only celebrated a thin slice through its complexities - cowboys and Indians, sheriffs and outlaws, barmaids and barroom brawls and, of course, the landscape. The museum's March exhibition, the Western Spirit Juried Art Show, features artists from around the world, both established and emerging, and breathes life into the stories of the modern American West. At the end of the year, exhibitions evolve for the museum's November show, the New Frontiers Juried Art Show and Sale, which of ers a glimpse into the cutting-edge contemporary Western artwork, from artists that break the mold of their respective mediums. The To Honor the Plains Nations exhibition in the American Indian Gallery displays Amereican Indian art dating from the early 19th century to post-reservation era, focusing on art of the Northern Plains people. [Extracted from the article]

This includes Western portrait paintings by the likes of Terri Kelly Moyers, John Moyers and David Frederick Riley. From the 1830s onwards, tens of thousands of German immigrants fled their homeland and settled in Texas, many in Texas Hill Country. His loosely rendered painting of the old farmer encourages the eye to settle on the farmer's own eyes - clear, determined and focused on his land. [Extracted from the article]